Monthly Archive for November, 2011

From The Economist…

It seems an unlikely success story: identical twins of Indian origin, born in Britain, become famous artists for depicting their home city of Liverpool and other more controversial scenes in the style of Mughal miniature paintings. Yet this is the case of the Singh Twins, Amrit and Rabindra, now in their 40s. They recently completed a month’s tour of India, where they were feted in Delhi and Mumbai.

Mughal miniatures are usually only a few inches big and rarely more than an A4 sheet of paper. The twins were inspired by the intricate and colourful miniatures they saw as teenagers, when their father drove them round India in a converted bus. But the work they now produce is on a grand scale of several feet. This gives their approach to this traditional and intricate style a colourful pop-art feel. The effect has earned acclaim, particularly in India, where Alka Pande, a Delhi-based curator and author, marvels at the way they have “taken Indian miniatures to a completely new level with reflections on contemporary life”. More…

From Lauren O’Neill-Butler at The Paris Review…

Born in a small town in northwest Iran in 1924, Monir Farmanfarmaian studied fine arts at the University of Tehran for only six months before deciding to move to Paris. But, with World War II raging, the ambitious young artist was denied entry in France; she opted instead for the United States, landing in New York City in 1944. “She traveled to the right place at the right time,” argues her old friend Frank Stella in Cosmic Geometry, Farmanfarmaian’s first and much-anticipated monograph, a testament of her continuing importance to contemporary Iranian art. Stella goes on to describe her facility with Abstract Expressionism’s “flatness” and “imagelessness”—her childhood home was filled with stained glass and wall murals—but neglects to mention all the other juicy details of her first decade in New York: how she rubbed elbows with the great artists of the day, including Pollock, de Kooning, and Rothko, at the Cedar Tavern and at the Arts Students League; how she worked as an illustrator for Bonwit Teller under Andy Warhol. “I wasn’t bad looking,” she says, “so everyone invited me to their parties.”

In 1957, she moved back to Tehran, married a young, American-educated lawyer named Abolbashar Farmanfarmaian, and began working with broken glass and mirrors in her studio—materials that became her hallmarks. She recounts traveling in 1966 to the Sh?h Chér?gh mosque in Shiraz, Iran, a shrine “filled with high ceilings, domes, and mirror mosaics with fantastic reflections.” “We sat there for half an hour, and it was like a living theater,” she notes. “People came in all their different outfits and wailed and begged to the shrine, and all the crying was reflected all over the ceiling … I said to myself, I must do something like that, something that people can hang in their homes.” More…