Archive for the 'Headline' Category

At Large: Reviewing the Arts in South Africa

At Large: Reviewing the Arts in South Africa by Christopher Thurman is now available as part of  The Arts in Society series.

As a ‘critic at large’, Chris Thurman has engaged with the work of theatre practitioners, musicians, dancers, visual artists and writers from across the South African arts spectrum. In this collection of journalistic essays, reviews and interviews produced over the course of five years, he not only explores the role of the arts – and the challenges facing artists – in a country still completing its transition to democracy, but also asks provocative questions about a range of social and political issues. Informed by an awareness of South Africa’s complex cultural history/histories, At Large offers a snapshot (or, rather, a series of snapshots) of the arts in the country during the early years of the twenty-first century, providing insight into the production and reception of both ‘local’ and ‘global’ artistic phenomena.

Chris Thurman teaches at the University of the Witwatersrand (Johannesburg) and contributes to various publications as arts critic, political commentator and travel writer. His other books are Sport versus Art: A South African Contest, Guy Butler: Reassessing a South African Literary Life and Text Bites: South African Poems, Plays, Stories and Non-fiction.

Creating a Better Place to Live: The Argument for Craft Education

 

Creating a Better Place to Live: The Argument for Craft Education by Howard Cannatella is now available as part of  The Arts in Society series.

Where would we be without the movements that corroborate our feelings and desires and make a practical difference in our lives? In a timely fashion, this book challenges our understanding of craft activity. Creating a Better Place to Live: The Argument for Craft Education reads as a social critique that champions the culture and relevance of this practice in a refreshing way. A redefined account of craft activity is given, while different positions are postulated as to its role. This book asserts that the teaching, professional practice, and policy making of craft activity needs to change in order to benefit society in a more constructive manner. Far from being just an adjunct to production requirements and a slave to economic conceptions of life, the theory, history, and contemporary practice of craft activity can be utilized considerately to create a better environment for us all. The delights, hard hitting conceptions, foibles, and intelligence of craft work are debated. This discourse argues that craft activity is vital for living well and is a voice of freedom, common observation, collective effort, and reason that can affect our social cohesion, sympathetic unity, independence, and passions in life.

Dr Howard Cannatella is a teacher and philosopher in art education and a practising artist and designer. He lives in British Columbia, Canada with his wife Kirsten and their three children

Call for Journal Editor

The International Journal of the Arts in Society seeks an editor, or team of editors, for a one-year term. This is an opportunity to make a significant contribution to what we believe is one of the leading journals in its field, the journal’s associated conference and, more broadly, the knowledge-community which the journal and conference seek to serve.

The roles of the editor are to:

  • write an introduction for the Journal volume which would be included in the first issue for the year, and possibly on the website, the newsletter and other appropriate places or for the purposes of marketing and promotion.
  • collate papers addressing a theme of the editor’s choosing into a book, to be launched at the conference at the completion of the editor’s term. The chapters may be drawn from submissions to the journal during this or recent years, and other material as considered appropriate.
  • actively solicit manuscripts for the Journal from well-known and notable members of the community—these would could be refereed if the author wished, or regarded as ‘invited papers’.
  • assist the Commissioning Editor with suggestions of supplementary peer reviewers for specific papers (and this will never be burdensome – note that the Commissioning Editor of the Journal finalizes a majority of the peer reviewer requirements based on thematic matching and ‘mutual obligation’ principles in which all author requested to review up to three other papers).
  • promote the journal throughout their network and other associated networks.
  • maintain regular communications with the community via periodical blog posts to the community website (which feeds automatically to our email newsletter, Facebook and Twitter).

The editor will be offered a complimentary electronic subscription to the Journal, free copies of the book which they edit, an electronic subscription to the book series as well as complimentary registrations to attend the conferences at the beginning and end of their term.

Qualifications

The Editor of the Journal must possess the following attributes:

  • They will have successfully obtained higher degree, and have academic teaching and scholarly research experience in an area related to the subject matter of the Journal.
  • They will have published in this or other comparable scholarly journals.

Applicants are asked to send:

  1. a cover letter outlining their interest and relevant experience, and the ways in which you would propose to enhance the profile of the journal
  2. a curriculum vitae
  3. a special theme outline: a title with paragraph explanation.

Please send applications and supporting documentation to journals@artsinsociety.com.

The deadline for applications is 26 September 2011.

The End of Art

The End of Art: A Comparative Analysis of French Postmodern Art Theorists by Marie-Thérèse Killiam is now available as part of  The Arts in Society series.

The book studies the demystification of art in the 20th century by a variety of contemporary French authors, from sociologists to philosophers, who commented on the meaning and function of art. Most of these writers who are famous in their own disciplines for their innovative ideas, share an interest in art criticism, which channels their particular philosophies and esthetic interests. Postmodern theorists like Duve and Bourdieu see art as social posturing and a manifestation of cultural fetishism in this age of the “n’importe quoi.” Mathematician philosopher Michel Serres and psychoanalyst semiotician Kristeva share an interest in similar Renaissance paintings. All postmodern writers who choose to comment on art turn to masters of past time, who illustrate best their personal esthetics. This choice also reveals their indifference, if not aversion, for contemporary art, in which most see and deplore the death of art, culture, and history today. Such reluctance at looking at the contemporary esthetic expressions of the human condition also explains their own similar stylistic expression, which is frequently morose in character, and often apocalyptic in tone and content.

Announcing–2012 Arts in Society Conference, Liverpool

We are pleased to be holding the Seventh International Conference on the Arts in Society at the Art & Design Academy, Liverpool John Moores University, Liverpool, UK from 23-25 July 2012. We are hosting the conference in collaboration with the Institute of Cultural Capital, a culture policy research institute based in Liverpool.

Conference presenters may include contributors in all areas of the arts – artists, educators, graduate students, curators, writers, theorists, researchers, arts administrators and policymakers – with presentations in all disciplines (visual, performing, literary, and interdisciplinary genres). This is a conference for any person with an interest in and a concern for art practice, public art, art theory, research and policy, curatorial and museum studies, and art education in any of its forms and at any of its sites.

Updates and announcements on plenary speakers, the conference dinner and tour, and the program will all be shared with the Arts in Society Community. Join our online conversation by subscribing to our monthly email newsletter, Facebook, RSS or Twitter feeds at http://artsinsociety.com/.

We look forward to receiving your proposal for the Call for Papers, and hope you will be able to join us in July 2012 in Liverpool!

Arts Conference–Book Your Hotel Room Now

During the 2011 Arts Conference, 9-11 May in Berlin, we’ve arranged a special conference accommodation rate for our delegates at a few nearby hotels. Stay, mingle and meet delegates at one of our conference hotels, all of which are located within walking distance of the Gendarmenmarkt plaza and the conference venue, BBAW.

More information on the hotels and booking information is available at the Arts Conference Accommodation webpage.

Suzanne Anker, Visual Artist+Theorist–Announced as Arts Conference Plenary

Suzanne Anker, will speak in a plenary session at the Arts Conference, 9-11 May 2011 at BBAW in Berlin, Germany.

Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown using LED lights. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, the Mediznhistorisches Museum der Charite in Berlin, the Center for Cultural Inquiry in Berlin, the Pera Museum in Istanbul and the Museum of Modern Art in Japan. More…

Theater Studies and Researcher, Erika Fischer-Lichte–Berlin Arts Conferernce Plenary

Erika Fischer-Lichte will join the 2011 Arts Conference in Berlin, 9-11 May at BBAW in Berlin as a plenary speaker.

Erika Fischer-Lichte is director the International Research Centre “Interweaving Performance Cultures” and Professor of Theatre Studies at the Freie Universität Berlin. From 1995 to 1999 she was President of the International Federation for Theatre Research. She is a member of the Academia Europaea, the Academy of Sciences at Goettingen, and the Berlin-Brandenburg Academy of Sciences. She has published widely in the fields of aesthetics, theory of literature, art, and theatre, in particular on semiotics and performativity, theatre history, and contemporary theatre. More…

Nina Czegledy–Media Artist, Curator and Writer–to give Plenary in Berlin

Nina Czegledy will participate as a plenary speaker at the 2011 Arts Conference, 9-11 May at BBAW in Berlin, Germany.

Nina Czegledy is a media artist, curator and writer, that has collaborated on international projects, produced time based and digital works, and participated in workshops, forums and festivals worldwide. Czegledy is a Senior Fellow at KMDI, University of Toronto, Adjunct Associate Professor at Concordia University, Montreal and the current Chair of the Inter Society for the Electronic Arts (ISEA). She has exhibited her work with the ICOLS group and toured with the Girls & Guns collective and the Achtung Baby! Project in East Europe. Czegledy’s latest Aurora Feast Public Art Collaborative Project has been presented at Heureka the Finnish Science Centre, Finland, at the Gowett Brewster Gallery in New Zealand and the Waves Festival in Riga, Latvia. More…

Prof Günter M. Ziegler, Institute of Mathematics at FU Berlin, to speak at Arts Conference 2011

Günter M. Ziegler, Professor in the Institute of Mathematics at Freie Universität Berlin, will be joining the 2011 Arts in Society Conference at Berlin-Brandenburg Academy of Sciences and Humanities, Berlin, Germany from 9-11 May 2011.

Günter M. Ziegler was born in München, Germany, in 1963. He got a PhD at MIT with Anders Björner in 1987. Since 1995 he is a Professor of Mathematics at TU Berlin. In 2006 he became the founding chair of “Berlin Mathematical School”, where he remains active as a co-chair. He is a member of the DFG Research Center MATHEON “Mathematics for Key Technologies” since its start in 2002. In 2011 he has joined Freie Universität Berlin as a MATHEON Professor.

His interests connect discrete and computational geometry (especially polytopes), algebraic and topological methods in combinatorics, discrete mathematics and the theory of linear and integer programming. He is the author of “Lectures on Polytopes” (Springer-Verlag 1995) and of “Proofs from THE BOOK” (with Martin Aigner, Springer-Verlag 1998), which has by now appeared in 14 languages. His latest book is “Darf ich Zahlen? Geschichten aus der Mathematik” (“Do I count? Stories from Mathematics”, Piper, Munich 2010). More…